If unsuccessful, threat commanders will employ tactical UAVs and unmanned combat aerial vehicles (UCAVs) to deny blue force commanders a common operational picture. Moreover, UAV precision munition, electromagnetic pulse, and electronic attacks against command, control, communications, computers, intelligence, surveillance, and reconnaissance (C4ISR) will be intended to significantly reduce the blue force's targeting effort, adversely affect blue tempo, and consequently deny the Objective Force the ability to mass the effects of their battlefield functional areas (BFAs).
Countermeasures
In terms of effective current countermeasures against UAVs, there are both passive and active tactics and techniques. UAV countermeasures include employing camouflage, concealment and deception (CCD) techniques; intercepting and destroying the UAV by air-or ground-based fire before it launches or during its flight; destroying the GCS and/or datalink antenna controlling the UAV; jamming the UAV's ground-to-air or air-to-ground datalink signal to its GCS; or intercepting, acquiring, and exploiting the UAV's datalink signal.
warriorhun wrote:Therefore, if you can jam electric dataflow and recording capacity over the battlefield area, you can jam electric dataflow and recording dataflow in urban area, as in New York City. And if you can shield your own cameras from your own record jamming, you can film a live event- and alter it as you wish, can attach fake CGI planes, fake falling the Twin Towers, and you are shielded from your dataflow jamming, so through MSM, you can put this live on TV for all the TV viewers in New York City.
Therefore, they were doing exactly this on 9/11.
Is there any fault in my logic? If yes please point it out to me.

However - just what percentage of visual 9/11 material (recorded by the perps with faraday-protected cameras) is real and how much is entirely computer generated is still open to debate. On the top of my head, I'd say 20% vs 80%.
fbenario wrote:
When we were analyzing the videos of WTC 7, did we also investigate the timing of its collapse?. If so, what did we conclude?
Have we seen any legitimate, believable images/videos from mid-afternoon that show WTC 7 still standing?
warriorhun wrote:
That means, on 9/11 you did not see live recordings of what is happening on-site, on-time, and not even an altered version. But, that certainly does not mean that what you saw was simply a computer generated scenery!
(...)
If you find any fault in my logic, kindly please point out to me.
) to argue that it is something else (half-real/quarter-real/one-tenth real - or whatnot!...) :

This is the 16-second sequence of the "second airplane approach" These four clips are the ONLY LIVE IMAGES (of the alleged "Flight 175") still to be found on the official 9/11 TV archives. I have put them together sequentially to highlight this 'curious coincidence': Is it plausible that 4 cameramen just happened to film a 'slice' of the full airplane approach, all 4 'slices' then combining into a seamless, full 'airplane approach sequence'? Or is this - more plausibly perhaps - a prefabricated sequence of computer-animated imagery?
In the real world, the odds for this sequence to occur are, of course, astronomically remote. Much as the endless string of bizarre 'coincidences' pushed by the official 9/11 storyline, this extraordinary occurrence challenges our very limits of credulity.
"nothing to see here folks move along")EquinoXed wrote:
So they fired a missile at the wtc, and buy using a 17 delay they had a enough time to start the 16 second plane approach on live TV.
http://www.youtube.com/watch?v=oU7VHf4TVIY
RESEARCH UPDATE - SUMMER 2010:
The precise purpose of the 17-second audio signal heard on all TV Networks now has a plausible, logical explanation. When aligning/synchronizing all networks we may see that the first appearance of the "plane" is at (minus)-16 seconds before impact. We can then see the "plane" uninterruptedly during those 16 seconds, in 4 sequential shots seamlessly split on CBS/NBC/CBS (again)/ and finally on ABC.
Indeed, these 4 seamless "plane-shots" never overlap each other, as if each of the 4 "cameramen" were assigned to capture only their own, exclusive chunk of the "plane-approach" ! Now, what are the odds of THAT occuring in the real world? More likely, what I call the "16-SECOND MAGIC SEQUENCE was a prefabricated animation, cut in 4 pieces and distributed on the various phony TV broadcasts.
So, the BEE-BEEP (and its variants) heard 17 seconds before impact was likely the "GO!" signal for the centralized studio producer to launch that ready-made16 SECOND SEQUENCE. As the WTC exploded in reality (at 9:02.54, as correctly- & scientifically - recorded by the Lamont-Doherty seismic Observatory) someone cued the studio with that BEE-BEEP signal. This is why the officially released impact time had to go with the (false) 9:03.11 timestamp.
For more detailed explanations, please go to :
THE 17-SECOND ENIGMA
viewtopic.php?p=2055659#p2055659
NOTE: Of course, all this implies that the "planecrash" video sequence was manufactured well in advance of 9/11. There was no need for any real-time insertions as the entire Manhattan aerial scenery was a digital construct. The only need for real-time control of the 9/11 Live TV imagery would have been the smokeplume animation (in order to match the day's wind direction) : such adjustments can be easily made 'on the fly' within a 3D animation environment. However, this evidently didn't work out too well : when comparing the smokeplumes of the various TV network feeds, a great number of discrepancies and aberrations can be observed.
simonshack wrote:EquinoXed wrote:
So they fired a missile at the wtc, and buy using a 17 delay they had a enough time to start the 16 second plane approach on live TV.
Equinoxed,
Missile or not, the 17-second beep-beep was more likely the signal sent to the networks as WTC2 exploded. Here is the text I have published in my video description of SEPTEMBER CLUES part E :http://www.youtube.com/watch?v=oU7VHf4TVIY
RESEARCH UPDATE - SUMMER 2010:
The precise purpose of the 17-second audio signal heard on all TV Networks now has a plausible, logical explanation. When aligning/synchronizing all networks we may see that the first appearance of the "plane" is at (minus)-16 seconds before impact. We can then see the "plane" uninterruptedly during those 16 seconds, in 4 sequential shots seamlessly split on CBS/NBC/CBS (again)/ and finally on ABC.
Indeed, these 4 seamless "plane-shots" never overlap each other, as if each of the 4 "cameramen" were assigned to capture only their own, exclusive chunk of the "plane-approach" ! Now, what are the odds of THAT occuring in the real world? More likely, what I call the "16-SECOND MAGIC SEQUENCE was a prefabricated animation, cut in 4 pieces and distributed on the various phony TV broadcasts.
So, the BEE-BEEP (and its variants) heard 17 seconds before impact was likely the "GO!" signal for the centralized studio producer to launch that ready-made16 SECOND SEQUENCE. As the WTC exploded in reality (at 9:02.54, as correctly- & scientifically - recorded by the Lamont-Doherty seismic Observatory) someone cued the studio with that BEE-BEEP signal. This is why the officially released impact time had to go with the (false) 9:03.11 timestamp.
For more detailed explanations, please go to :
THE 17-SECOND ENIGMA
viewtopic.php?...
NOTE: Of course, all this implies that the "planecrash" video sequence was manufactured well in advance of 9/11. There was no need for any real-time insertions as the entire Manhattan aerial scenery was a digital construct. The only need for real-time control of the 9/11 Live TV imagery would have been the smokeplume animation (in order to match the day's wind direction) : such adjustments can be easily made 'on the fly' within a 3D animation environment. However, this evidently didn't work out too well : when comparing the smokeplumes of the various TV network feeds, a great number of discrepancies and aberrations can be observed.
hoi.polloi wrote:The problem is -- why would they need to make any sort of noise LIVE over their prefab footage? This is a curiosity. Perhaps aspects of the footage were not LIVE? This isn't hard to imagine but I still want to stick to the 'everything was prefab' before we assume they had to do some kind of LIVE thing.

In my mind, this fancily-colored 16-second video sequence (showing "plane" approach seamlessly split over different networks) is totally computer-generated.
You are quite free (freedom of speech - you know) to argue that it is something else (half-real/quarter-real/one-tenth real - or whatnot!...) :
But if you'll agree to this much (fake 16 second sequence) it begs the question: how much (if anything) is real of the 9/11 imagery?
Return to SEPTEMBER CLUES: the 9/11 digital simulation exposed
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