THE TURIN SHROUD

Historical insights & thoughts about the world we live in - and the social conditioning exerted upon us by past and current propaganda.

THE TURIN SHROUD

Postby reel.deal on October 15th, 2011, 1:17 pm

LETS GET THIS THING ROLLING...
I BEEN LOOKING HARD AT THIS, & ITS BLOWING MY MIND! :blink:

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I THINK THE SHROUD IS REAL, + THE FACE OF DA VINCI ! HELP !!!

I WATCHED THESE 2 DOCUMENTARIES WHEN BROADCAST IN 2008 & 2009, I THINK!
WATCH THEM ASWELL & YOU'LL BE HARD PUT NOT TO THINK THE SAME WAY!

BBC DOC - Shroud of Turin - New Evidence


full link: http://www.youtube.com/watch?v=dr9_v5A4a2w

Leonardo- The Man Behind the Shroud [1/6]

full link: http://www.youtube.com/watch?v=0sFmAQcekbY

Leonardo da Vinci, Mona Lisa and the Shroud of Turin


full link: http://www.youtube.com/watch?v=y1ikmq7ddbs

OPTICS IN ART IS A WHOLE NOTHER THREAD WHICH BLOWS 'ART HISTORY' APART...
BUT FOR NOW HERES THE SOURCE OF ALL THE CONTENTION & CONTROVERSY...

DAVID HOCKNEY - 'SECRET KNOWLEDGE'

full link: http://www.youtube.com/watch?v=MBNrgCaoyW8


http://www.optics.arizona.edu/SSD/art-o ... apers.html
http://architecturalvdos.blogspot.com/2 ... ledge.html

IF YOU HAVE ANY INTEREST IN THE TURIN SHROUD...THOSE 2 DOCUMENTARIES ARE A MUST!
IF YOU HAVE ANY INTEREST IN ART HISTORY...THIS DOCUMENTARY IS A MUST!


"A simple look at the image of the face shows that contacts between the cloth and the body alone
could not have formed the image. The eye sockets and the other recesses of the body, aswell as
the hair at the sides would never have been in direct contact with the body. And if they were,
the resulting image would look like this..."

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THE TURIN SHROUD IS A FLAT 2-DIMENSIONAL IMAGE. A PHOTOGRAPH.
IF THE IMAGE WAS REAL THE WRAPAROUND DISTANCE WOULD BE GREATER.
IE; THE EARS WOULD NOT BE THE WIDTH OF THE FACE, THEY WOULD BE
RECORDED AS BEING DISTORTED MUCH FURTHER APART, TO SUM UP:...

IN A FLAT 2D PHOTOGRAPHIC IMAGE - 'EARS' SHOW AS 6"/15cm APART.
IN A REAL 3D DEATHMASK SHROUD - 'EARS' MEASURE 10"/25cm APART.

:blink:

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"LEONARDO'S GENIUS IS NOT IN QUESTION. LEONARDO NEVER PAINTED THE CRUCIFIXION.
IS THE SHROUD HIS ONLY REPRESENTATION OF CHRIST'S PASSION ?
ONE OF HIS MANY PRANKS ? DID HE USE HIS OWN FACE ?
KNOWING THE MASSES WOULD BE WORSHIPPING THE IMAGE OF A MAN OF SCIENCE,
A REVOLUTIONARY THINKER, ...A HERETIC.

LEONARDO WAS A LOVER OF RIDDLES. THE SHROUD IS THE ULTIMATE RIDDLE.
IF LEONARDO WERE ALIVE TODAY, HE WOULD BE DELIGHTED THAT SO MUCH EFFORT HAS
GONE INTO UNLOCKING ITS SECRETS. 1500 YEARS BEFORE LEONARDO THE APOSTLES WROTE -
'SEARCH FOR THE GLORY OF JESUS, AND NOT HIS FUNERAL SHROUD'.
THE IRONY WOULD NOT HAVE BEEN LOST ON LEONARDO."


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i think... the shroud is authentic but fading, & the vatican commissioned a restoration with 'extras';
i think... its a 3 photograph composite with the model specific to exactly match the bloodstains.
with the face of Christ modelled by Da Vinci himself...


:blink:
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Re: THE TURIN SHROUD

Postby brianv on October 15th, 2011, 1:26 pm

The cost to humanity of fifteen centuries of Christian savagery – of hundreds of millions of lives brutalised and truncated, sacrificed to war, torture, pogrom, burning, pestilence and plague – is incalculable.

Christianity is the worst disaster in human history


http://www.jesusneverexisted.com
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Re: THE TURIN SHROUD

Postby reel.deal on October 15th, 2011, 10:58 pm

Googled 'Turin Shroud Fake' - and heres the latest - June 8th 2011...
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http://www.dailymail.co.uk/news/article ... xpert.html
:lol: :lol: :lol:
http://www.telegraph.co.uk/culture/art/ ... light.html
Image Image

...as great and amazing as Giotto was, something tells me he didnt get the Turin Shroud gig;
...he was 'all fingers & thumbs'...

;)
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Re: THE TURIN SHROUD

Postby reel.deal on October 16th, 2011, 6:47 am

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BBC DOC - Shroud of Turin - New Evidence

"All we can know for certain is that before Turin, the shroud can only be reliably traced back to the village of Lirey in France where it was in the possession of Geffroi du Charnay, who first exhibited it in 1360.

...Is it possible the carbon14 data itself was in some way flawed? its a possibility thats gaining currency because there is new evidence that places the shroud of Turin earlier in time, historians have identified another shroud of christ in the 12th century, in Constantinople. Could this shroud be the same as the one in Turin? The evidence surfaced recently in a document called the 'pray manuscript'. Its in Hungary, and takes its name from the scholar who first examined it. It can be reliably dated to 1196. If it is the same shroud, why do we not hear from it again til 1360?

...At the end of the 4th crusade when Constantinople was ransacked by the french no-one knew what became of the shroud. Robert de Clarys made a testimony that he had witnessed a weekly ceremony there where the shroud was raised then lowered from a box. A Crusaders' direct descendent married du Charnay 160 years later."


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http://www.skepticalspectacle.com/
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Re: THE TURIN SHROUD

Postby Maat on October 16th, 2011, 2:15 pm

Re the Shroud of Turin question raised by Reel.Deal on the Archeology topic (I moved my post here).

Firstly, although I find debating the existence of that which cannot be seen or touched, only felt and perceived with the mind/soul, a problematic exercise at best, I will state that I have never found anything to confute the historical existence of Y'eshua as described in the New Testament, the Apocrypha, Nag Hammadi Library (the Gnostic Gospels) and other writings — including his 18 "lost years" known as Saint Issa through India, learning from the masters, in Persia then Egypt (before returning to Judea).

The tragedy is that any resemblance between the original teachings of Y'eshua and that propagated by the organized man-made religion called "Christianity" (aka 'churchianity') is little to none. Ironically, the Churches have simply perpetuated the same Pharisee & Sadducee roles whose hypocrisy and abuse of power Y'eshua condemned and sought to liberate people from. Sadly, too few recognize that fact although the evidence is still extant in writings the early Church under Emperor Justinian tried to suppress (Anathematize) and, more ironically, even in the Gospels they chose to 'approve'! Rather like how media fakery is right in front of everyone, but how few see it.

Having studied comparative religions and arcane history for 30+ years, I also read the first and only independent scientific study allowed on the Turin Shroud (after long resistance from the Church) published in 1978.

Contrary to apparently popular belief (and/or persistent disinformation), there was no evidence found of any man-made pigments in the shroud image whatsoever. In fact, every detail in the peculiar image has confirmed what was only known to modern historians & archaeologists about Roman crucifixion practices, but not known to Medieval artists or scholars.
e.g. The puncture wounds were in the wrists (as required to hold body weight in that nasty crucifixion method), not through the palms as assumed and portrayed in Medieval times — probably due to the Greek word in the New Testament which meant and included the forearm being translated as 'hand'. Also, the blood serum stains on the cloth could only be seen with uv fluorescence photography.

Apart from its known problems, the first radiocarbon tests permitted on the shroud in 1988 were not only contrary to proper protocol but taken from a repaired/rewoven area of the cloth! However, later tests on the appropriate samples in 2005 by a peer-reviewed chemist did indicate an age closer to c 2000 years*. The forensic and biological evidence of plant pollens in the cloth from the relevant place & time in Palestine (as well as its historical travels) had already indicated its age and origins.
[*Interesting that this further test and review was not mentioned in the 2008 BBC 'documentary']

Of particular significance is the fact that no one on either side of the 'authenticity' debate has been able to successfully duplicate the shroud image effect by any means.

I may be even more suspicious of the Roman Catholic Church than most because of what I've learned over the years, but to avoid confirmation bias I try to examine all evidence and sources on any related case, not just the 'prosecution', before reaching a verdict.

Here's an interview with the documenting photographer and original team member of the 1978 shroud research project — who is, as he states, Jewish. (I know the host is an irritating media jerk, but the detailed information on the subject is unaffected and worth watching all parts).

Shroud of Turin Expert Barrie Schwortz (1 of 12)

full link: http://www.youtube.com/watch?v=YHaMEOPvbUA

http://www.shroud.com/
http://www.shroud.com/examine.htm
http://e-forensicmedicine.net/Washed.htm

When science cannot explain or determine a cause, it comes down to one's personal experience to decide. I find it an interesting mystery, but more for what it reveals in the agendas of those trying to use it for gain or to manipulate others. It makes no difference what it is, since as the saying goes, 'For those who believe (what is true), no proof is necessary; for those who do not, no proof is possible.' :)
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Re: THE TURIN SHROUD

Postby reel.deal on October 17th, 2011, 8:06 am

JC RIPPED
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If this is the true image of Christ on the shroud, its for certain that Jesus' steroids addiction meant
JC spent far more time pumping iron down the gym gettin' ripped than turning water into wine...


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5'7"? / 6'2"? ...How many experts does it take to lay a tape flat to record the height of 'Christ' ?

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"The pilgrim medallion of Lirey (before 1453),
[26] drawing by Arthur Forgeais, 1865."


Leonardo di ser Piero da Vinci b.April 15, 1452 – d.May 2, 1519.
http://en.wikipedia.org/wiki/Leonardo_da_Vinci

So, it seems the shroud did depict the miraculous image of a figure before any 'Da Vinci' 'restoration';
and so not just the bloodstain patterns with the crown of thorns.
maybe the 'brown saccharine traces' the forensics record ? the images positive, not 'negatives' ?!?


http://en.wikipedia.org/wiki/Shroud_of_ ... e_analysis

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http://www.skepticalspectacle.com/history10.htm
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Re: THE TURIN SHROUD

Postby Maat on October 17th, 2011, 4:40 pm

reel.deal wrote:If this is the true image of Christ on the shroud, its for certain that Jesus' steroids addiction meant
JC spent far more time pumping iron down the gym gettin' ripped than turning water into wine...

Reel, are you assuming the "Jesus" portrayed by 'churchianity' as 'mamby pamby' or "meek and mild" is correct, that he just strolled about preaching or being entertained by sycophants and didn't do any physical work (as well as walking miles between towns)? He must have been fairly well built to overturn the heavy wooden tables of the money changers in the Temple ;) [i.e. bancus ruptus]
I think Kahlil Gibran hit the mark best in his poetic prose, Jesus Was Not Meek

Anyway, my father — a 6' Scotsman — was always well muscled even when he wasn't doing regular physical work (like carpentry and roofing) — and still is now in his 70s! :P

5'7"? / 6'2"? ...How many experts does it take to lay a tape flat to record the height of 'Christ' ?

If you watch that interview with the original member of the team that examined the shroud in person, Barrie Schwortz, he explains how the height of the body in the image is about 5' 11" but cannot be perfectly precise because linen stretches and had often been displayed in earlier times by hanging weights on it draped from balconies! :rolleyes:
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Re: THE TURIN SHROUD

Postby brianv on October 17th, 2011, 5:18 pm

It is known that the 'ancients' worshipped their own personal gods! The 'gods' of lore. Miracle workers, gladiators, healers and the like. In fact the sort of false idolatry we see in sports, music, tv and the media in general today. Oh and not forgetting those fundamentalist wackos from the States and Korea etc. To have your 'god' elevated to a certain status above the other lesser gods, people paid tributes and erected shrines. The 'gods' worshipped by those with the most money sorted to the top. One theory about this 'Jesus' nonsense, whether fictional or not, and a very popular name in the Lands of Palestine NOT, was the personal 'god' of the wife of one of the Emperors, (Trajan perhaps), who she had heard about performing 'miracles' in the Occupied Lands, and of course had loads of wonga to flash about on being the Lady Diana of her day and polishing her popular image among the masses of slaves. When at No 1 in the charts, the 'god' Jesus, got to wear names such as Lord, Holy, Christ, Puff Daddy, etc. Bingo! One might conclude that this was the origins of western Organised Religion. It sickens me to see todays slaves glued to the X-Factor and A merkan Idol.

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The Roman Empire under Trajan!
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Re: THE TURIN SHROUD

Postby reel.deal on October 17th, 2011, 11:37 pm

^ ^ ^ ...kinda like 'WWF GODS II' B)

Maat, yes, guilty as charged! in the immortal words of Anne Magnussen from Bongwaters' 'Folk Song', which i posted in the chatbox recently...
..."besides, its a lot easier to accept Jesus Christ into your life as your personal saviour,
when he looks like Willem Dafoe..."


But seriously, you're right, my brain is conditioned by the religious iconography in art history; the emaciated skeletal crucifixion scene as exemplified in the above Giotto depiction is fairly typical. If Jesus did indeed spend much time in Kashmir, as the 'Did Jesus Die' documentary alledges, then perhaps he could have honed some amazing physique & practised extraordinary physical feats like the Shaolin monks of today. I recommend that doc, btw, in the archaeology thread. You are right that i stereotype my preconception, it just looks so startling to see the thickset Christ of 'The Shroud', contrasted against pretty much all other depictions.

Having said that, my school years were spent in the Roman fort city of Chester, near the N. Wales border; the square mile or so of the city is contained within the Roman Walls. There are many b&w tudor features in the city centre, and a 2-tier street-level & 2nd level walkways & shop-facades called 'The Rows'. Some of these 'Rows' the ceiling level dips to around 5' high. In essence what i'm getting at is that in Medieval NorthWest England the average height was maybe 5'?, rather than the 5'10" or so of today. So, if JC was say 5'11"; would he not seem outlandishly tall amongst the Palestinians & Romans of 2000 years ago? Is there any mention or citations of JC's unusual height in the bible?

I will watch the Schwortz doc, but for now will say that the creases in the shroud may indeed prove that the Turin Shroud is the same one as the one looted in the French Crusades sacking of Constantnople around the turn of the 11th/12th century; 160 years before it 'reappeared' in Lirey, France. There is good analysis in the BBC 'New Evidence' doc of the particular folds that seem to reinforce the 'same shroud' theory. I find the whole thing fascinating, it is truly one of the greatest enigmas of all-time. I'm not stuck or tied to any particular theory. I'm just psyched to have the right 'think outside the box' people to sound-out & bounce some ideas on 'The Shroud' around with...
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Re: THE TURIN SHROUD

Postby nonhocapito on October 18th, 2011, 12:57 am

I didn't have the time yet to go over all the information in this thread so forgive me if my post is lacking crucial elements.

My impression is that there is no need to call Leonardo Da Vinci or even Giotto to justify what for me is obviously a faked thing that many of the unknowns that walked on this planet (unknown to us) could have accomplished.

I don't know if this is mentioned in any of the documentaries proposed, but I always thought that the only way to create the shroud artificially, was to use a bronze or iron sculpture. You heat up the sculpture until it is scorching hot, and then you let the shroud fall on top of it. Or maybe you put both the sculpture and the shroud in the oven just for the right amount of time. When you remove the shroud, there: the features of the sculpture are impressed in the cloth.

The use of a heated-up statue would also account for the weird shape or proportions of the face or of the rest of the body. Maybe it was not even a 360° sculpture, but a bas-relief (so the face was "flat" and did not cause the enlargement effect expected for real faces): and there was another bas-relief for the back (which accounts for the differences in height): and both were made by a mediocre or minor sculptor of the middle-ages. How about that?

Early medieval sculpture was not yet particularly concerned with realistic appearance or beautiful proportions, but rather with symbolic, dramatic, inspirational effects (Jesus was "larger than life"). Although actually a thin, elongated appearance could also be attributed to a forger of the so called "mannerism" period. Maybe a remote follower of El Greco, who knows. Leonardo, in any case, as a Renaissance man would have been obsessed with finding the right proportions for the sculpture or painted image: and he notoriously was a difficult sculptor, and even a more particular painter. The proportions of the image are all wrong. Sorry but I say these professors are imbeciles. :P

As to that famous self portrait of his, we are actually not even sure it was a self portrait.
Sembra infatti, da un recente studio, che il volto non sia di Leonardo ma dello zio Francesco, con cui ancora giovane, Leonardo passava il suo tempo in assenza del padre. It seems in fact, from a recent study, that the face is not Leonardo's but of his uncle Francesco with whom Leonardo, still young, used to spend a lot of time. http://www.gialli.it/leonardo-lautoritratto-di-acerenza

In any case, Leonardo was not interested in religion, but was not disrespectful of it either. I don't think he would have ever wasted his talents in a prank, nor, with those talents, was he ever in such a need for money to accept such an unbecoming gig. One has to read Leonardo's writings to understand in what other much more interesting and serious matters he busied himself with. The most superficial things that can be attributed to him were the planning of the parties at Sforza's. But even those, certainly did not mock religion. At most, they left it out of the door.

These are times when characters like Leonardo da Vinci are disturbed on every occasion and without good reason. This happens mostly because of our need for inspirational figures. Which is really sad, because beyond the surface of the interest, lies a dramatic non-interest about who the person really was, and what his values might have been. Sort of like Bill Gates, who bought some codex of Leonardo's manuscripts back in the 90s --and made a screensaver for Windows 98 out of it. <_<

* * *

As for the other part of the discussion regarding the origins of christianity, it is even too easy today to demonstrate the fallacies of the christian religion. It's a global sport. But I like to go against the current so I will say that I disagree with the idea that nothing of the alleged original "purity" passed into christianity, and that christianity was merely an instrument of the elite to dumb down the masses. I leave this notion to marxists and rabbis! :D

I also care very little about the alleged far-eastern inspirations of Jesus. Everyone is inspired by something. For the little that we know of that story, and the little we can imagine, despite two thousands years of efforts to diminish that acknowledgment, the essence for me, as it can be summarized from the story told in the gospels, is the following (I take from my beloved René Girard): No more sacrifices of humans or animals, but only a "representation" for them; no more scapegoating; no more revenge.

This is the moral essence of Christianity and what made it different from anything that preceded it. Undeniably, shreds of it are still desperately alive today, albeit struggling. And certainly were alive during the italian medieval and modern ages, as the pictures and the stories of those centuries I think tell in deeper ways that I am able to express here.

Before you assault me reminding me all the faults and bad deeds accomplished by humans under the christian banner, I will say that as much as those new ideas were at the core of christianity, and maybe reason for the spontaneous part of its success, it doesn't mean they ruled christianity. They simply were set out to fight against the die hard set of rules men had given themselves in the previous thousands of years. This struggle was still on when the witches were burned at the stake or wars were made in the name of Christ. Life is not perfection nor stasis, but rather a tension towards better things that are never actually reached in their entirety nor forever, but always have to be bargained for.
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Re: THE TURIN SHROUD

Postby fbenario on October 18th, 2011, 2:02 am

reel.deal wrote:Having said that, my school years were spent in the Roman fort city of Chester, near the N. Wales border; the square mile or so of the city is contained within the Roman Walls. There are many b&w tudor features in the city centre, and a 2-tier street-level & 2nd level walkways & shop-facades called 'The Rows'.

I LOVE Chester!!!!!!!!!!! One of my favorite of all British cities, one of the very few that have all of a cathedral, a Roman Wall circling the city (on top of which one can still walk, getting a great view of the city), Roman amphitheater, Roman bathhouse with hypocaust, major Roman museum (the Grosvenor), great shopping district (The Rows), and pretty black/white building style. I've probably been there half a dozen times.

York and Chichester also have cathedrals, Roman Walls, and amphitheaters, I think.
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Re: THE TURIN SHROUD

Postby Maat on October 20th, 2011, 8:06 pm

reel.deal wrote:Maat, yes, guilty as charged! in the immortal words of Anne Magnussen from Bongwaters' 'Folk Song', which i posted in the chatbox recently...
..."besides, its a lot easier to accept Jesus Christ into your life as your personal saviour, when he looks like Willem Dafoe..."

:lol: Eew, that'd have the opposite effect on me, I find Dafoe weird and creepy looking! :P

Anyway, sorry for the late reply, I find this a tricky object to deal with without referencing the subject it represents — bit of a Catch 22. But since you did ask some questions I thought I should try to answer :)

But seriously, you're right, my brain is conditioned by the religious iconography in art history; the emaciated skeletal crucifixion scene as exemplified in the above Giotto depiction is fairly typical. If Jesus did indeed spend much time in Kashmir, as the 'Did Jesus Die' documentary alledges, then perhaps he could have honed some amazing physique & practised extraordinary physical feats like the Shaolin monks of today. I recommend that doc, btw, in the archaeology thread. You are right that i stereotype my preconception, it just looks so startling to see the thickset Christ of 'The Shroud', contrasted against pretty much all other depictions.

Yes, I know it's so easy to forget how much our perceptions have been influenced by centuries of artists' impressions of what we all have been told to believe by the Church. And when the media gets in on the act, they muddy and confuse it even further.

But why would you expect the BBC to produce anything but their usual purposely omitted facts and spin for sensational effect and maximum distraction? That was just another distortion of what is already known about his travels to India, Persia and Egypt (18 years preparation) before his return to Judea — not after crucifixion ;) Since his mission was to liberate people from lies, it would make no sense for him to then deliberately perpetuate one.

Also, that angled picture distorts the image — if you look at the original official photo on the STURP site (Shroud of Turin Research Project) I linked to before, you can see it's not "thickset" but well proportioned. http://www.shroud.com/examine.htm (you can click any part of the image to examine it in detail)

Having said that, my school years were spent in the Roman fort city of Chester, near the N. Wales border; the square mile or so of the city is contained within the Roman Walls. There are many b&w tudor features in the city centre, and a 2-tier street-level & 2nd level walkways & shop-facades called 'The Rows'. Some of these 'Rows' the ceiling level dips to around 5' high. In essence what i'm getting at is that in Medieval NorthWest England the average height was maybe 5'?, rather than the 5'10" or so of today. So, if JC was say 5'11"; would he not seem outlandishly tall amongst the Palestinians & Romans of 2000 years ago? Is there any mention or citations of JC's unusual height in the bible?

Well, the Romans' average height was fairly short (as were Britons), and architecture of those times also differed (for various practical reasons) from more modern styles of high lintels.
Judea of Roman times had a mixture of ethnic groups from various parts of the Empire, but estimates of 'average' height can be misleading, especially if assumed to mean 'most', since they would have had the same genetic variations as we do now, even among ethnic groups considered 'short', e.g. Maltese and Japanese.

There is no specific reference to his actual height in the NT, although it is implied. e.g.
Following his 'temple escapade' as a 12 year old: "And Jesus increased in wisdom and in stature, and in favor with God and man." Luke 2:52 (i.e. in every way, spiritually, mentally & physically)

But much more can be inferred from descriptions of how he was recognized by those who had evidently only heard of him, e.g.

"On the way to Jerusalem he was passing along between Sama'ria and Galilee.
And as he entered a village, he was met by ten lepers, who stood at a distance
and lifted up their voices and said, "Jesus, Master, have mercy on us."

Luke 17:11-19

Not sure how they could know which one he would be among all the various travellers along a main road if he was 'average'. :unsure:

I will watch the Schwortz doc, but for now will say that the creases in the shroud may indeed prove that the Turin Shroud is the same one as the one looted in the French Crusades sacking of Constantnople around the turn of the 11th/12th century; 160 years before it 'reappeared' in Lirey, France. There is good analysis in the BBC 'New Evidence' doc of the particular folds that seem to reinforce the 'same shroud' theory. I find the whole thing fascinating, it is truly one of the greatest enigmas of all-time.

You'll find that part of its travels is mentioned in the undisputed list of events in its history:
http://www.shroud.com/history.htm

That video I posted is actually a radio interview with Schwortz, so you get to hear details directly from one personally involved in the project.

I'm not stuck or tied to any particular theory. I'm just psyched to have the right 'think outside the box' people to sound-out & bounce some ideas on 'The Shroud' around with...

It is fascinating, especially with such a long traceable history (in private hands), that it has left scientists stumped. Not the least of which is that no one in Medieval times could have known every detail of real Roman crucifixion methods.

You would think, just as the original team that examined it first assumed, that it should be easy to prove it was a fake. They couldn't.
As I said before, what is most significant is that no one on either side of the 'authenticity' debate has been able to duplicate the exact same effect on the cloth (nor produce a perfect 3D with the VP-8 Image Analyzer as only the shroud does) — and everything has been tried over the last 30 years without success, including the 'scorch' experiments on a bronze statue.

Being familiar with the original scriptures and early church history, it always puzzled me why it would have survived so long (despite fires and deliberate attempts to destroy it), given that it is just a 'dead' thing to anyone who knows what Y'eshua taught.

However, it occurred to me that it actually serves as a mnemonic device, or a reagent if you will, that can help us see through the subtle layers of deception that are only recognized when presumptions and prejudice are removed.
i.e. Just because certain government institutions or Church hierarchies continually deceive to maintain power & control, doesn't mean everyone working within or affiliated with them are automatically corrupt or 'in on' such schemes. As David Yallop mentioned in his book, In God's Name (about the murder of Pope John Paul I), it was a few good people in the Vatican who first asked him secretly to investigate that suspicious event.

So, I couldn't automatically dismiss anything so complex with such a long history without proper examination of all the known facts, despite healthy doubt. Truth can sometimes be found in the most unexpected places. Like Nathaniel's first reaction to being told by Philip that they had found the one that Moses and the prophets wrote about "Can anything good come out of Nazareth?"

I would only suggest starting with the original research team's findings, rather than second hand speculations or media productions.

Here's a quote from the STURP site maintained by original team member Barrie Schwortz who, although Jewish and still agnostic, is convinced it is authentic:
The 1978 Scientific Examination
This page will present an overview of the first ever in-depth scientific examination of the Shroud of Turin, performed by an international team of experts in 1978. A large part of that group consisted of the Shroud of Turin Research Project, Inc., (STURP), a team of American scientists and researchers that spent over two years preparing a series of tests that would gather a vast amount of Shroud data in a relatively short period of time. STURP's primary goal was to determine the scientific properties of the image on the Shroud of Turin, and what might have caused it. In October of 1978 the STURP team spent 120 continuous hours conducting their examination of the Shroud.

To this day, scientists around the world use the data gathered by STURP for their Shroud research. Even the Vatican has stated that the material gathered in 1978 constitutes the official scientific data available for Shroud research and it has no plans to allow any further testing, except in the area of conservation of the cloth itself. Although carbon dating of the Shroud in 1988 yielded a 12th century date, newly discovered information has led many researchers to believe the carbon date is in error. The controversy continues. In any case, no serious study of the Shroud of Turin can ignore the immense volume of scientific facts determined from the 1978 data, and a close look at the 1978 test results must be on the agenda of any intelligent person interested in deciding for himself.

Unfortunately, most of the published scientific work on the Shroud has not been readily available to the general public. Much of STURP's work was technical and resides in refereed scientific journals that are quite obscure to the average person. The general public usually gets their information from the media, who often present biased interpretations and include commentary from so-called "experts" who draw conclusions or present their own theories with little regard for the facts. Over the years, this created a blending of fact and fiction in the eyes of the public that evolved into a Shroud "mythology."
:D
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Re: THE TURIN SHROUD

Postby nonhocapito on October 21st, 2011, 12:05 am

I am having a hard time seeing the image in the shroud as "well proportioned", Maat. The head is ridiculously small and the neck too short, compared to the rest of the limbs that are quite long. The pieces do not belong together. Without even going into the fact the the original was very likely flat, as we have seen, so even if the proportions were correct, we are still in presence of an "impossible" image to be produced by a real body.

Image
Compianto sul Cristo Morto by Domenico Merzagora, 1350ca. Not well proportioned either.

We don't need carbon dating nor "scientific" commissions. Let's not make things more complicated than they are! A shroud is wrapped around a body, and whatever image produced by it would present many folds and irregularities due to the impossibility for the cloth to remain perfectly stretched and in contact with the body at the same time.

I stand with the idea that this was made with a bas-relief heated up. And that Leonardo was not responsible for it.

I also don't understand something. It seems that proving that Jesus might actually have been in touch with this thing settles the argument, but I don't see how. Even if the shroud dated back to Jesus' days, this doesn't tell us how the image got impressed on the shroud. The fact that this person historically existed does not equate with the idea of him having magic/divine powers.

Another important point: I don't see how people of the jewish heritage supporting the idea that the shroud was real should add particular credibility to the cause. maybe it is the other way around.
It is in fact obvious that the catholic church didn't want to recognize the shroud to be real. Just like with the fraud of Padre Pio, they had to. Which also means that they probably know very well it is fake, they probably have all the documents and all the data stashed somewhere that prove it. The whole thing is a problem for them because, of course, it could become a boomerang tomorrow and bite them in their spiritual asses.

But of course, it becomes impossible to rid of the problem if the troll-professors outside keep saying "its' real! it's real!", if only to keep the debate forever alive.

The middle ages and the renaissance seem to me an ideal time were to imagine the forgery took place. The "art" of creating to deceive and "imitate" reality was knowing a great momentum. From imitation of reality to faking reality the step is short.
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Re: THE TURIN SHROUD

Postby reel.deal on October 21st, 2011, 12:24 am

mmm, thanks for the considerations, much appreciated.
ok, i think its fitting to have a 'Turin Shroud' thread here at cluesinfo; not because its 'fake' per say, but because this forum has form in spotting fakery. :P... I dont expect any instant 'eureka' moment, i dont expect to probably ever see the enigma cracked either, but it sure is the premier sacrosanct object, bar none. (to 'westerners', anyways...)

I'm not trusting of what the recent BBC documentaries add to the 'new evidence', neccessarily, but i do think there are some genuinely searching propositions made. I know exactly how complicit the BBC is in media fakery (a propaganda offender so primary, George Orwell quit back in '43 http://www.bbc.co.uk/archive/orwell/7430.shtml ) but i think the Turin Shroud is a riddle so mysterious that even the BBC cant alter or spin it that much.

The '2nd face' on the reverse, discovered in 2005 only adds to the complexity. I appreciate that the '78 tests may well be definitive, and may remain so for evermore. the bas-relief sculpted stone portraits that were popular around the 15th century can be discounted as the heated & pressed cloth would have scorched deeper and longer than the infintesimal surface image depth of the Shroud.

To me its very simple, the seperate face mask -'suderium' matches the rare AB blood-type staining patterns of the shroud, the reattached torn strip would appear to be the bind that held the body together, wrapped around the limbs. The many bloodstains are consistent front, reverse, and mask. It would appear that the shroud is a real crucifion artifact, and who's shroud would survive, if not the shroud of Christ himself ? And as the 'Lirey Medallion' carving shows, the image of the figure of Christ was already evident & strong on the shroud the year after Da Vinci was born.

Why the blood hasnt darkened, who can say ? Why the image is 'a negative', who can say ? Technically, it looks representative of photography, which is how i personally look at it, the chemicals and use of lenses as optics were certainly known to a select few. Possibly many test runs perfected the technique before committing to the sacred shroud. Does the faint '2nd face' ghost image betray a 'false start' or 'error' ? I did hear in one doc that the shroud was withdrawn from public view for around 50 years around Da Vinci's time.

Yes the angle shown above is an exageration, a distortion; but it also begs the question - the image is inherently a flat 2-dimensional representation, in negative; If the image is not of a photographic nature, then where are 'the sides' ? The point being if this is an actual 3-dimensional death shroud with an emergent manifestation visual of the corpse contained within, then surely the image must be more distorted as a 3D object, not 2D .

It is possible that the shroud is a 3 'photo' composite, and i tend to think if that is true, then it would only be Da Vinci with the talent, technique, & know how to be entrusted to pull it off, just as i tend to think who's shroud would be saved, if anyones' but Christs' ?
But, if the image is indeed a late 16th century 'proto-photo', where are the traces of the earler image it replaced ? And, if the image is not a 'proto-photo', in actuality, then are we looking at an actual real miraculous apparition of Jesus Christ himself ?

Its also possible that the shroud and the image are both fake. Its also possible that the shroud and the image are both real, or any combination, thereof. But if we are to regard the Turin Shroud as the miraculous image of Christ personified, made in his own image and crafted and created
'by the hand' of Christ himself, then you must ask this question...
why would Christ manifest his own image in the man-made convention and technique of the flat 2-dimensional photographic negative ?
:blink:
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Re: THE TURIN SHROUD

Postby nonhocapito on October 21st, 2011, 11:51 am

Well the use of a camera obscura was certainly known to many. In the early 15th century architect Brunelleschi, for example, had created a camera obscura to show to its citizens how their city would look once the new dome he was designing was completed. Many artists would use the principle to project onto the canvas images to paint (not to "impress" them, only to project them to facilitate the process of design).

But imagining an alchemist to be part of the creation of the shroud, and the photographic process required for it, would mean lots of experimentation beforehand. If you ever dwelt in developing photographies of larger dimensions, and if you imagine that they had to do it with a natural light source, you can figure the amount of time (hours if not days) of exposure it would take to impress this image on the shroud. So the real question would be: were are the other "experiments"? Why shroud photography did not become a form of art and decoration and wonder?

Personally I am almost completely disinterested in what all these "scientists" have to say about it, because I am convinced that they either have an agenda (be it the diminishing or protection of the church or of their personal careers) or they didn't have much chance to evaluate the shroud anyway. If you noticed there is no observation that they made that it is not contradicted by another statement. "It doesn't radiate; on the other hand it might radiate". "It is carbon-dated to the 13th century; on the other hand it might not be". So what's scientific about it? It is barely "technocratic" is what it is...

I can accept the uniqueness of the shroud only if I imagine it to be the result of a fairly simple, accidental process... that didn't stem a genre in itself because it was too simple to be that interesting. It probably is the side-product of a bottega were they cast bronze sculptures, and, while the sculptures are still hot out of the oven they polished them with cloth linen. This is how they might have noticed how faces and hands would remain impressed on the cloth...
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